There are not many great Spanish artists of this instrument and Roberto Moronn is presented as an accomplished guitar player. Possibly the most outstanding is his extreme sensitivity and technique with which he translates the different scores of Haug, Scott, Berkeley, Desderi, Fornerod and Peyrot. Virtuosity appears here and there as true exciting surprises.

Delicious recordings to listen many times.

No abundan grandes artistas españoles de este instrumento y Roberto Moronn se presenta como un consumado intérprete de la guitarra. Posiblemente lo más destacado sea su extrema sensibilidad y técnica con las que traduce las diferentes partituras de Haug, Scott, Berkeley, Desderi, Fornerod y Peyrot. El virtuosismo aparece aquí y allá como verdaderas sorpresas emocionantes.

Grabaciones deliciosas para escuchar muchas veces.

Francisco García-Rosado, Opera World

Full Review on www.operaworld.es

“This is a successor to the two earlier sievings by Roberto Moronn Pérez of works accumulated in the Segovia Archive: works dedicated to Segovia or commissioned by him. There have already been some surprises and this collection serves up some more. … The English-only booklet is very well designed and substantially detailed. Shedloads of credit to Pérez and Reference Recordings for giving us an hour of openly and intimately recorded music fresh to the repertoire and drawn from recently released works from the Segovia archive.”

Full Review on www.musicweb-international.com

“As I said about Mr. Perez in an earlier review, he does justice to each composer. Perez plays with flair but also with nuance and subtlety. His guitar opens up each work and expands it seemingly beyond the limits of a single instrument. Although you won’t find any (or if you are a dedicated classical guitar fan, many) familiar pieces here, if you are like me you will find each work entertaining, touching, or enlivening. … Producer, engineer, and editor John Taylor recorded the album at Holy Trinity Church, Weston, Hertfordshire, UK in October 2015. As with the previous albums in the series, Keith O. Johnson of Reference Recordings did the final mastering. Taylor recorded Perez and his guitar at just the right distance to capture a realistic presence, with a slight reverberation and a mildly warm flavor.… everything sounds rich and lifelike.” —John J. Puccio, Classical Candor

Read the full review

“This is Roberto Perez’s second release for Reference Recording’s Fresh catalogue. The first, Andres Segovia Archive, Spanish Composers FR-705, was very well received, lauded for the artist’s impressive technique and exquisitely sensitive interpretations”.

“Still quite young, Perez has established himself as a world-class classical guitar master”.

“Roberto Perez has breathed new life into a part of the Segovia legacy that had been too long overlooked. The master himself might very well agree”.

Steve Bourke (UHF Magazine (Canada) issue #97 Winter 2016)

“Roberto Moronn Pérez is a wonderful guitar virtuoso”.

“I’d recommend this French album, and its Spanish companion, to anyone interested in the full range of solo guitar sound who is looking beyond the well-known composers for the instrument.”

Paul Kennedy (Audiophile Audition)

The Roberto Moronn Pérez Andrés Segovia Archive recordings get a double-review on MusicWeb International:

“Roberto Moronn Pérez never puts a foot wrong in his admirable recitals, and occasionally you wonder if mediocre material is being really sold by his excellent delivery. Not so with especially great discoveries by the likes of Pahissa, Donostia, Presti and Martelli. Pérez deserves great credit for unearthing much of this music. … What an excellent series this is proving to be.”

Brian Reinhart (MusicWeb International)

Read the full feature on MusicWeb International!

“… hearing him in concert or on disc makes it obvious that he is an exceptionally accomplished player with a keen musical intelligence, and nothing to fear from technical challenges.”

“Moronn Pérez creates a warm, liquid guitar sound.”

“Very impressive, and easily recommendable to guitar fans on the prowl for unknown or little-known composers and works.”

John Mark (Stereophile)

John Mark’s column “The Fifth Element”. Stereophile Magazine, October 2014.